Evangelia Psoma is a multidisciplinary artist whose practice spans drawing, video, cut paper, and sustainable materials such as crystalline paper surfaces. Her work explores the layered complexities of female identity, often through the prisms of archetype, myth, and temporality.

By working across both two-dimensional and three-dimensional media, Psoma moves fluidly between intuitive and methodical approaches. She frequently incorporates archival sources—from folklore, poetry, and contemporary narratives—allowing material and concept to inform each other symbiotically.

Psoma does not aim to depict external visual reality as an end in itself. Rather, she uses it as a starting point to evoke internal states—juxtapositions of tension, memory, and form. Her artistic language constructs an introspective cosmos, where oppositions like chaos and order, vulnerability and strength, coalesce within the framework of a contemporary female gaze.

Evangelia Psoma – CV

Education

• Postgraduate Studies – Hochschule für bildende Kunst Hamburg, Germany, Department of Visual Communication/Animation
• 2001–2003 – Diplôme National Supérieur d’Expression Plastiques, École des Beaux-Arts de St. Etienne, France
• Diplôme National D’Arts Plastiques, École des Beaux-Arts de St. Etienne, France

Group Exhibitions

• 2022 – ‘FUTURETRO’, 18th ADAF, Building complex formerly Notoshome, Athens, Greece
• 2021 – ‘XYears’, Goethe-Institut, Paris, France
• 2020 – ‘FOLK’, Margaris Gallery, Amfilochia, Greece
• 2018 – ‘THE NEW NEW’, 3rd Art, Science, Technology Festival, Helexpo Pavilion 2, Thessaloniki, Greece
• 2018 – ‘IT IS OH SO QUIET’, Margaris Gallery, Amfilochia, Greece
• 2016 – ‘MYTH OF EAGLES’, Nitra Gallery, Thessaloniki, Greece
• 2016 – ‘THE MECHANICS OF SPACE’, Nitra Gallery, Thessaloniki, Greece
• 2014 – ‘VANITAS’, Old Municipal Baths, Patra, Greece
• 2013 – ‘THE SINGLE-CHANNEL SHOW’, IMF, European University of Cyprus, Nicosia, Cyprus
• 2013 – ‘SOLID’, Nitra Gallery, Thessaloniki, Greece
• 2010 – ‘HULDA FESTIVAL’, Port of Thessaloniki, Pier 1, Thessaloniki, Greece
• 2009 – ‘COLLAGE CUT+’, Museum of Modern Art, Thessaloniki, Greece
• 2009 – ‘NAUGHTINESS’, Margaris Gallery, Amfilochia, Greece
• 2009 – ‘BEAUTY IS THE BEGINNING OF THE TERRIBLE’, Museum of Modern Art, Thessaloniki, Greece

Art Fairs / Biennales / Highlights

• 2014 – 24th International Istanbul Art Fair, Nitra Gallery, Tuyap Center, Turkey
• 2013 – ‘Happiness’, Supermarket Independent Art Fair, Margaris Gallery, Stockholm, Sweden
• 2022–2023 – ‘Graceland: The Triumph of an Uncertain Path’, 8th Thessaloniki Biennale of Contemporary Art, Experimental Center of Contemporary Art, Thessaloniki, Greece
• 2009 – ‘ROOMS 2009’, Saint George Lycabettus, Kappatos Gallery, Athens, Greece
• 2007 – ‘1st Thessaloniki Contemporary Art Biennale’, Public Screens, Thessaloniki International Airport “Macedonia”, Thessaloniki, Greece

Publications / Press / Catalogues

• 2023 – ‘Graceland: The Triumph of an Uncertain Path’, texts by A. Mikoniati, Th. Misiroglou
• 2018 – ‘The New New’, text by L. Hatziiakovou
• 2016 – ‘Artists in Residence III’, text by A. Tsirliagkou
• 2014 – ‘Vanitas’, texts by I. Bolis, E. Papakonstantinou
• 2013 – ‘Stockholm Art Fair 2013’, Kulturhuse
• 2009 – ‘Naughtiness – Beltsiou Collection’, text by R. Palanda
• 2009 – ‘The Beautiful is Only the Beginning of the Terrible’, text by A. Kalfopoulos
• 2009 – ‘Collage/Cut and Paste – Cut+Paste’, texts by Th. Markoglou, A. Mykoniati, A. Leopoulos
• 2007 – ‘Public Screen Biennale:1’, text by S. Tsiara